bibliography
references for a performer's perspective
- McLuhan, Marshall. “The Playboy Interview.” Essential McLuhan, pages 233–269. BasicBooks, New York, NY, 1st edition, 1995.
- Zimmerman, Eric. “Narrative, Interactivity, Play and Games.” N. Wardrip-Fruin and P. Harrigan,editors, First person: New Media as Story, Performance, and Game, pages 154–164. MIT Press, Cambridge, Mass., 2004.
- Eco, Umberto. "The Poetics of the Open Work." The Open Work, pages 1–23. Harvard University Press, Cambridge, Mass, 1989.
- Cuykendall, Shannon, Thecla Schiphorst, and Jim Bizzocchi. "Designing Interaction Categories for Kinesthetic Empathy: A Case Study of Synchronous Objects." Proceedings of the 2014 International Workshop on Movement and Computing. ACM, 2014.
References for The Fine Line ~ twisted angels
- Blakeslee, Sandra and Matthew Blakeslee. The Body Has a Mind of its Own: How Body Maps in Your Brain Help You Do (almost) Everything Better. Random House Incorporated, 2007.
- Cytowic, Richard E. and David Eagleman. Wednesday is Indigo Blue: Discovering the Brain of Synesthesia. MIT Press, 2009.
- Hooton, Matthew. Deloume Road. Toronto: A.A. Knopf, 2010.
- Lewis, Marc. Memoirs of an Addicted Brain: A Neuroscientist Examines his Former Life on Drugs. PublicAffairs, 2013.
- Maté, Gabor. In the Realm of Hungry Ghosts: Close Encounters with Addiction. North Atlantic Books, 2010.
- Matta, Roberto. Listen to Living. New York: Museum of Modern Art, 1941.
- Mavromatis, Andreas, ed. Hypnagogia: The Unique State of Consciousness Between Wakefulness and Sleep. Routledge, 1987.